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1 Brussels Hand-Woven Tapestry, 18th century, the central motif of Lot and his daughters, with an overall acanthine border, 113" x 90".
Estimate: 4000 - 7000
2 Continental Mahogany Settee, 18th century, the rectangular tapestry back depicting musical courtiers and surmounted by gilt masque finials, joined by flat arms to the padded tapestry seat, raised on square legs joined by a shaped and pierced front stretcher, h. 57", w. 48", d. 23".
Estimate: 1000 - 1500
3 Pair of Italian Mahogany Armchairs, 19th century, in the Renaissance taste, each with a padded square back flanked to either side by a masque finial over a male figural support, joined by acanthine-carved arms to a heraldic lion hand rest, the padded seat raised on scrolling legs joined by an H-form stretcher and ending in paw feet, h. 45-1/2".
Estimate: 500 - 800
4 Spanish Provincial Mahogany Side Table, 19th century, of "guard room" form, the long narrow top raised on angled bobbin-turned legs joined by scrolling iron stretchers and ending in block-and-ball feet, h. 32", w. 43", d. 14-3/4".
Estimate: 800 - 1200
5 Suite of Four Continental Oak Sidechairs, 19th century, each with a padded square back flanked by foliate-carved stiles headed by lion shield finials, the padded seat raised on turned and block legs joined by an H-form stretcher and ending in bulb feet, h. 39".
Estimate: 500 - 800
6 Continental Provincial Fruitwood Draw-End Table, 19th century, the rectangular top with side latches, removing to allow the draw ends to release, raised on turned bulbous legs joined by an H-form stretcher and ending in block feet, h. 25", w. 31", l. 66".
Estimate: 1000 - 1500
7 After Andrea del Sarto (Italian, 1486-1530), "St. John the Baptist", 19th century, oil on canvas, 35-1/2" x 26". Framed.
Estimate: 2500 - 4000
8 Continental Embossed Leather Three-Panel Floor Screen, first quarter 20th century, in the Baroque taste, with muted polychrome decoration of bold scrolled panels with mixed flower bouquets, h. 79", w. 72". Provenance: The Estate of Jean McKenzie Diaz, Sydney, Australia and New Orleans, Louisiana.
Estimate: 700 - 1000
9 Pair of Italian Polychrome Cabinets, late 19th century, each with a rectangular shield- and foliate-painted top above a foliate- and gadroon-carved frieze above a case fitted with two doors, each with an inset painted figural panel in the Medieval taste, raised on a molded plinth base, h. 40-1-2", w. 50-1/2", d. 15".
Estimate: 3000 - 5000
10 Unusual Pair of Italian Carved Giltwood Three-Light Sconces, first quarter 20th century, in the Baroque taste, on scroll-carved backplates set with trumpet-form candle branches with incised decoration, h. 22", w. 10-1/4", d. 8-1/4".
Estimate: 700 - 1000
11 Italian Gilt-Metal Three-Light Lantern in the Baroque Taste, 20th century, with a reeded and domed lower portion and matching top, the hexagonal lantern with scroll-edged panels and applied pierced scrollwork, the top accented with cherubs, h. 47", dia. 11".
Estimate: 1400 - 1800
12 Continental Carved Mahogany Commode, mid-19th century, with earlier elements, of monumental proportions, the rectangular top above a case fitted with two small drawers over two long drawers, the whole elaborately carved in scrolling foliate, avian and figural designs, the sides with shield-carved panels, raised on lion masques ending in paw feet, h. 44-1/2", w. 72", d. 25-1/2".
Estimate: 1500 - 2500
13 Pair of Patinated Bronze Planters Cast as Blackamoors, resting on scroll-footed bases trimmed with beading, the male and female figures dressed in embroidered drapery and wearing necklaces and turbans, the leaf-molded planters perched on their heads, h. 56-1/2", w. 15", d. 15".
Estimate: 1000 - 1500
14 Venetian Dragon-Carved Fantasy Mirror, second quarter 20th century, the menacing dragon carved with spread wings, his talons clutching the beveled mirror, h. 39-1/2", w. 31".
Estimate: 1500 - 2500
15 Italian Carved Wood Figural Stand, fourth quarter 19th century, composed of rosewood and other woods, the standard carved as a turbaned putto eating grapes, and supporting the serpentine-sided rosewood top, raised on a trio of carved cabriole legs, h. 36-1/2", dia. 12-1/2".
Estimate: 700 - 1000
16 Pair of Flemish Oak Fauteuils a la Reine, late 19th century, each with a domed and padded back joined by acanthine-carved downswept arms to the padded seat, raised on floral block legs joined by a pierced scrolling front stretcher and ending in claw feet, h. 45-1/2".
Estimate: 1000 - 1500
17 Pierre Vervou (Belgian, 1822-1913), "Busy Market Scene Outside the Town Gate", oil on canvas, signed lower left, 26-1/4" x 39-1/2". Framed.
Estimate: 1400 - 1800
18 Italian Baroque Parcel-Gilt and Painted Architectural Fragment, ca. 1700, possibly part of an altar, now mounted as a mirror with gilt and blue faux-marbre-painted pilasters framing the mirror plate, the overhanging upper cornice with rounded corners and decorated with like faux-marbre and carved red and gilt "fringe", h. 66", w. 47-1/2", d. 13".
Estimate: 2000 - 4000
19 Italian Baroque-Style Polychrome and Parcel-Gilt Commode, 19th century, the rectangular top banded and with an incised scrolling pattern, above a conforming case fitted with three drawers, all paneled and with painted figural scenes, possibly Biblical, the sides paneled, raised on carved masque feet, h. 34-1/2", w. 30", d. 16".
Estimate: 2500 - 4000
20 Pair of Continental Oak Armchairs, 18th century, in the Gothic taste, each with a central finial and side heraldic lion finials above a tall narrow back with piercings and carvings in the Gothic taste, joined by rounded arms terminating in carved scholarly figural hand rests, to the cushioned wooden seat, raised on ring-turned circular legs joined by a box stretcher and ending in bun feet, h. 50".
Estimate: 1200 - 1800
21 Pair of Italian Walnut Censers, fourth quarter 18th century and earlier, the covers pierced around the outer edge and mounted with polychrome figures of St. Michael, likely earlier than the bases, supported on hoof-footed cabriole legs, the legs and shelf skirt carved with raised anthemia, the lower portions of the amphora-form censers carved with gadrooning, h. 68-1/2", dia. 18".
Estimate: 6000 - 9000
22 Pair of Carved, Painted and Parcel-Gilt Musical Cherubs, 20th century, in the Baroque taste, each figure with gilt wings and resting on a base with gilt tassels, one modeled strumming a mandolin and the other playing a horn, h. 21-1/2", w. 8-1/2", d. 7-3/4".
Estimate: 1200 - 1800
23 Pair of Baroque-Style Carved and Parcel-Gilt Figural Pricket Candlesticks, 20th century, on column-form bases with fluting, each with a putti-form standard supporting a green-painted leaf-carved candle branch set with triple pricket-style candle holders, h. 47-1/2", w. 19", d. 10".
Estimate: 3000 - 5000
24 Italian Baroque Carved and Painted Wooden Architectural Fragment, 17th century, mounted as a mirror, with a pierced and scroll-carved surround decorated with a pair of winged angel heads flanking a scroll- and shell-carved finial, h. 18-1/4", w. 20".
Estimate: 1200 - 1800
25 German KPM-Style Hand-Painted Porcelain Plaque of the Madonna delle Arpie, fourth quarter 19th century, after Andrea del Sarto (Italian, 1486-1530), carefully painted in polychrome colors, the artist capturing the serenity of the original, marked "Madonna delle Arpie" on the back in script, in a carved giltwood frame, plaque, h. 10", w. 7-1/4", overall, h. 15-1/4", w. 12-3/4".
Estimate: 900 - 1200
26 German KPM-Style Hand-Painted Porcelain Plaque of the Sistine Madonna, fourth quarter 19th century, after Raphael Sanzio (Italian, 1483-1520), in a giltwood shadowbox frame with a tooled gilt liner, with an old paper tag on the back, plaque, h. 7-1/2", w. 5-3/4", overall, h. 13", w. 11-1/2".
Estimate: 900 - 1200
27 Italian Paint-Decorated Wooden Altar in the Baroque Taste, 18th century and later, with a faux-marbre lower section, the altar with five niches separated by Corinthian capitals with silver gilt highlights, the larger central niche with a silver gilt shell decoration, h. 23-1/2", w. 42-1/4", d. 11".
Estimate: 1000 - 1500
28 Set of Twelve Czech Panel-Cut Glass Tumblers, second quarter 20th century, probably Moser, the lower portion cut-to-clear, with gilt-lined panels, the bowls decorated with females playing the flute in a pastoral landscape, each signed "Berndt", h. 6", dia. 3-1/2".
Estimate: 700 - 1000
29 Pair of Giltwood Mirrors in the Northern Italian Baroque Style, 20th century, with bold, scrolled and pierced surrounds and a pediment-form crest decorated with flowerheads, h. 63-1/2", w. 55-1/2".
Estimate: 1500 - 2500
30 Unusual French Giltwood and Gilt-Metal Six-Light Chandelier, first quarter 20th century, the giltwood base with reeding and borders of molded leaves and flowers, and set with scrolled candle arms with applied leaves, h. 19", dia. 26-1/2".
Estimate: 600 - 900
31 Continental Polychrome Cabinet, late 18th century, the faux-marbre top banded and with projecting canted corners and concave sides, above a conforming case fitted with two central cupboard doors flanked to either side by a curved cupboard door, all paneled and featuring an elaborate floral arrangement, raised on bulbous feet, h. 39", w. 68", d. 24".
Estimate: 2500 - 4000
32 Continental School (18th/19th Century), "Exuberant Still Life of Flowers in a Blue Urn, on a Marble Ledge", oil on linen laid down on board, unsigned, 41-1/8" x 60-3/4". Framed. Provenance: The Estate of Jean McKenzie Diaz, Sydney, Australia and New Orleans, Louisiana.
Estimate: 1500 - 2500
33 Flemish Hand-Woven Tapestry, 19th century, the central motif of an ebullient floral bouquet in a vase, all set within an arch, an elaborate border incorporating floral and architectural vignettes, 137" x 99".
Estimate: 5000 - 8000
34 Pair of Handsome Baroque-Style Giltwood Three-Light Sconces, second quarter 19th century, the shield-form backplates carved with foliage, scrollwork and flame finials, and set with fluted candle arms carved with leaves and terminating in leaf-carved candle sockets, marked "Made in Italy", electrified, h. 19", w. 13-1/2", d. 10".
Estimate: 1000 - 1500
35 Giltwood Sunburst Clock, mid-20th century, probably Latin American, with gilded wooden "rays", the clock set into a cove-molded and beaded surround, a glass door with a brass bezel covering the gilt-metal face, dia. 36".
Estimate: 700 - 1000
36 Circle of Adriaen van de Velde (Dutch, 1636-1672), "Pulling Into Port", oil on canvas, faintly signed lower right, 16" x 23-5/8". Framed.
Estimate: 3000 - 5000
37 French Provincial Fruitwood Armoire, late 18th century, the molded and domed cornice with canted corners, above a conforming case fitted with two long doors, each with two shaped brass escutcheons, over three small drawers and a shaped apron, raised on shaped toes, h. 96", w. 66", d. 26-1/2".
Estimate: 1000 - 1500
38 Provincial Louis XV Oak Writing Table, early 19th century, the rounded rectangular top above a frieze fitted with two short drawers and a single small drawer to one side, raised on cabriole legs, h. 29-1/2", w. 32-1/2", d. 24-1/2".
Estimate: 1000 - 1500
39 Regence Mahogany Fauteuil, late 18th century, the triple-domed crest above the padded back, joined by padded arms to the like seat, raised on molded cabriole legs, upholstered in needlework with figural, animal and geometric patterns, h. 41-1/2".
Estimate: 1000 - 1500
40 Provincial Regence-Style Mahogany Commode, 19th century and later, the rectangular top with a molded edge and serpentine front, above a conforming case fitted with three long drawers, all tri-paneled and with carved scrolling foliate patterns and finely figured hardware, raised on scrolled toes, h. 39-1/4", w. 50", d. 27".
Estimate: 5000 - 8000
41 Continental Bronze-Patinated Eleven-Light Chandelier, second quarter 20th century, in the Gothic taste, the two-tier frame with rope-twist trim and supporting candle arms on two tiers with molded chains, with a leaf-molded crown and matching lower finial, h. 39", dia. 29".
Estimate: 1000 - 1500
42 Provincial Louis XIV-Style Carved Oak Trumeau Mirror, fourth quarter 19th century, with fluted pilasters flanking the lower mirror, under an oil-on-canvas genre scene with a castle, a carved swag of flowers serving as the crest, h. 67", w. 44-1/2".
Estimate: 700 - 1000
43 Henri Joseph Ferdinand Pieron (Belgian, 1856-1912), "Landscape with a Farm and Cattle", 1879, oil on canvas, signed and dated lower right, 39-1/2" x 27. Handsomely framed.
Estimate: 1400 - 1800
44 Henry Schouten (Belgian, 1864-1927), "Ewes and Lambs", oil on canvas, signed lower left, 30-1/4" x 43-5/8". Framed.
Estimate: 2000 - 4000
45 Arthur Heyer (German, 1872-1931), "Landscape at Sunset with Cattle on a Farm", oil on canvas, signed lower right, 29-1/2" x 39-3/4". Framed.
Estimate: 3000 - 5000
46 Frans Van Leemputten (Belgian, 1850-1914), "A Chestnut and a Grey in the Field", oil on canvas, signed lower left, 26-1/2" x 39-1/2". Presented in a deeply carved giltwood frame.
Estimate: 1500 - 2500
47 Henry Schouten (Belgian, 1864-1927), "Donkeys", oil on canvas, signed lower right, 17-7/8" x 23-5/8". Framed.
Estimate: 1000 - 1500
48 Provincial Regence-Style Fruitwood Commode, 19th century, the rectangular top with a shaped front, above a conforming case fitted with two long drawers, raised on cabriole legs ending in gilt hoof feet, h. 31-1/2", w. 38", d. 19".
Estimate: 800 - 1200
49 Provincial Regence Fruitwood Commode, late 18th century, the slightly bowed top with a molded edge, above a conforming case fitted with three long drawers, all with three incised panels, raised on rounded feet, h. 32-1/2", w, 50", d. 25".
Estimate: 1000 - 1500
50 Rene George Sautin (French, 1881-1968), "Village Normandie", oil on wood panel, signed lower right, 23-3/4" x 32". Framed.
Estimate: 1000 - 1500
               
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